BrandHouse

BrandHouse is a photographic series that explores the dark reality of what is lost when we use brands and social media to express our identities.

 The work is created from hundreds of “brand selfies,” a trend that was discovered when hand sorting thousands of images from over 10 million selfies pulled from the web. Selfie takers hold up the same products over and over again in their photos, using the brand’s messaging already alive in the popular imagination to represent themselves. They are, in part, taking ownership of the brand, but what about us is lost when we use signs and symbols from advertisers and corporations to represent ourselves?

BrandHouse consists of three large-scale inked archival pigment prints each comprised of thousands of full-color selfies of people posing with their favorite consumer products. The work is named after the brands’ advertising slogans, #doubletheyou (Starbucks), #haveacokeandasmile (Coke), and #imlovingit (McDonalds). The same images are washed with a deep black ink, both obscuring and highlighting the images underneath.

#youcantbeatthefeeling, 2023, installation view, Archival Pigment Print on Dibond, hand-inked by the Artist, 56 x 28 in

The inked brand-focused selfies create a ghostly inversion of the selfie, similar to the metallic qualities of a daguerreotype. The unique ink creates different tonalities in the work – as you move around the piece the selfies appear, and then fade away.

#youcantbeatthefeeling, detail view

#doubletheyou, installation view, Archival Pigment Print on Dibond, hand-inked by the Artist, 56 x 28 in, 2022

Fundamentally, selfies are a curated version of ourselves, each image carefully composed to represent the “me” we want to show the world. But in real life, we are complex and un-curated. Using brands is perhaps the most curated message of all – a gap between the message that is authentically you and what the marketer represents.

#cash / #guns

#Guns, archival pigment print mounted on dibond and inked by the artist, 8 1/4 x 17 1/4 in 21 × 44 cm

 

#guns

#guns is composed of hundreds of selfies where firearms are used as prominent props in the photos.  Each individual's gesture ranges from playful with smiles, to militant with threatening glances.  Zampini then obscures most of the detail, color and individuality of these selfies by covering them with a thin screen of metallic silver ink, echoing the color of a gun’s barrel.  The result creates ghost-like images that further distance the viewer from these familiar repetitious symbols on social media.   



#Cash, archival pigmentprint mounted on dibond, inked by the artist, 8 1/4 x 17 1/4 in 21 × 44 cm, installation view

#cash 

#cash is composed of hundreds of selfies, arranged by gesture, where individuals hold wads or fans of cash in a peacocking display of wealth.  Zampini then obscures most of the detail and individuality of these selfies, by covering them with a thin screen of metallic gold ink — recalling cautionary tales of greed such as King Midas’s golden touch.  The result creates ghost-like images that further distance the viewer from these familiar repetitious symbols on social media.   



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